Raymie Namingha

26 items

Raymie Namingha

Hopi Silversmith, Sun’s Forehead Clan

Raymie Namingha, a member of the Sun’s Forehead Clan, was raised in the village of Shungopavi on Hopi’s Second Mesa. Surrounded by a rich artistic lineage, he grew up under the influence of his grandfather, a prolific painter, and lived across the plaza from master silversmith Victor Coochwytewa. His extended family included renowned Hopi jewelers Beauford Dawahoya and McBride Lomayestewa—artistry ran deep in his heritage.

Raymie attended Phoenix Indian School during a time when Hopi had no high school of its own. During his time in Phoenix, he was struck by a car while visiting his uncle and suffered serious injuries. The recovery process required multiple surgeries and temporarily paused his education. He eventually resumed his studies from home in Shungopavi, while also participating in traditional Hopi activities like running, farming, herding sheep, and hauling firewood—rites of passage for Hopi youth.

Raymie later completed high school in Winslow, Arizona, and soon after joined the U.S. Marine Corps, serving for two years. Upon his return, his grandfather gave him a set of silversmithing tools once used by his uncle Walter Polema, a World War II veteran and respected silversmith who studied and later taught at the Hopi Guild. The tools were a symbolic passing of tradition and sparked Raymie’s own artistic journey.

He began his formal training at Hopicrafts in the village of Kykotsmovi under the guidance of Glenn Lucas. It was there that he met Glenn’s daughter, Helena, who would become his wife and the mother of their four children. After more than a year at Hopicrafts, Raymie continued his training at the Hopi Guild in Shungopavi, where he studied under legendary Hopi artist Fred Kabotie and accomplished silversmith Henry Polingyeoma, both central figures in modern Hopi art.

Deeply involved in Hopi ceremonial life, Raymie was initiated into the Snake Society in 1985 and continues to fulfill his responsibilities in traditional ceremonies. He spends many days throughout the year in the kiva, preparing for rituals and helping preserve the spiritual and cultural teachings of his community. As an uncle, he plays a vital role in guiding the younger generation, fulfilling the Hopi tradition of uncles as teachers, mentors, and cultural stewards.

Raymie Namingha carries forward a legacy of artistry and responsibility, combining traditional Hopi values with the refined skill of a silversmith. His work reflects the strength of his clan, the spirit of his ancestors, and a deep commitment to the cultural vitality of the Hopi people.

Artist’s Hallmark: Rattlesnake rattle symbol

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